Harvest of Sighs (#3)

Coming May 1, 2020

SNEAK PEEK #2: Rebecca + Delphine

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Rebecca strides over to a low sofa—elegant, unfussy, modern, exactly her style—and sits.  Even with my eyes on the artfully battered hardwoods, I can sense the perfection of her, the slow grace in which she lowers herself and slants her legs to the side instead of crossing them.

ā€œCome to me,ā€ she says, still in the wonderful, breathless voice.  ā€œHands and knees.ā€

I’m still in my own jacket, I’m in heels and a suede skirt so short that it pulls up around my bottom when I lean forward to crawl.  Nothing about what I’m wearing is comfortable to crawl in, and nothing about it is explicitly sexy—except it is actually very sexy, to be forced to crawl mere moments after walking through a door, to know I look slutty and debauched with my skirt up around my hips and my Saint Laurent heels sliding across the floor as I slouch towards the sofa.

Maybe I should be asking, why this?  Why is this such a fucking turn-on?  Why is my cunt already wet and aching to be touched when all I’ve done is crawl?  But it feels like the answer is right in front of me, parting her legs and digging her fingers into my hair.  I nuzzle the inside of her knee—silky and warm—and risk a glance up at her face.  Her eyes are hooded, liquid and hot under her sinfully long lashes, and her mouth is pressed together in a way that’s lush and stern all at once.

ā€œI didn’t say you could touch me yet, did I?ā€ she says, tugging on my hair.

ā€œNo, Mistress.ā€

ā€œHmm.ā€

I dare another nuzzle, and those eyes hood even more.

ā€œDelphine,ā€ Rebecca warns.

I can’t help but smile at that, so I press my face into her knee to hide it.  She’s wearing a short romper today, the kind with an immaculately fitted bodice and skirt-like shorts underneath, and the fabric has slid down her thighs enough to expose a sleek expanse of leg.  Her skin is so soft-looking, so smooth.  The way the light falls in the flat, I can see where the muscles under her skin curve and pull, making a subtle path right to the heat between her legs.  I can’t help myself, I lick that path, just to feel it under my tongue, just to taste her and maybe show her where else my tongue could be if only she’d spread her legs a little farther apart.

Rebecca doesn’t react to my naughty tongue, no gasp or jump or tensing or anything, it’s like licking a living statue.  And when I look up at her, I realize I’ve made a very, very big mistake.  Those eyes are hot with more than ordinary lust now—there’s now irritation and excitement and a simmering cruelty that I just know is about to boil over.

I’m smiling so big now that there’s no point in hiding it.

ā€œYou’re so much trouble,ā€ she breathes.  Her fingers tighten in my hair.  ā€œSo much fucking trouble.ā€

It’s what she said in the car on the way here.  That I was a brat, that I was spoiled, that she’d have her hands full with me.  But then, just like now, the way she said those words—brat, spoiled, trouble—made it sound like I was a Christmas gift all wrapped up for her, like I was the kind of thing she’d bite her pillow thinking about at night, and then we’d both grinned at each other, like we’d just learned the most marvelous secret.  

We talked about a thousand other things—safewords and boundaries and limits—but that was what I kept coming back to: I’m a brat.  And Rebecca likes it.

She likes me.  And I think I love her.

When she says I’m trouble, I nip at her wrist and dimple at her, and then giggle as she yanks on my hair in reprimand.

ā€œOh you think it’s funny, do you?ā€ she says, but there’s a twist at the edges of her mouth, like someone about to take a bite of a dessert they claimed just seconds ago they didn’t want.  

ā€œI think a lesson might be in order,ā€ she says, regaining some of her sternness with a struggle.  ā€œBut first . . .ā€  

She finally does what I’ve been yearning for her to do since I got to my knees, and uses her slender fingers to draw aside the fabric between her legs.  She’s wearing narrow lace knickers—so narrow that they barely cover her sex—and from this angle, I can see her secret places.  Bare, soft, and already wet.

ā€œWhy you wear cheeky knickers when no one can see them, and then the ugliest shoes that everyone else has to look at, is beyond me,ā€ I say, which earns my upper arm a sharp pinch.

ā€œI wear these so that I can put little subs with impudent mouths to use at a moment’s notice,ā€ Rebecca says, and with a sharp tug of my hair, my mouth is pressed against her lace-covered sweetness.  ā€œDo your work, little pet.  And I’ll think about what needs to be done about all this misbehavior of yours.ā€

My work.  God.  We talked about this too before we came here, about what me moving in would mean, about how we would be here in Rebecca’s flat and in the club and out in the world.  Where I would serve her, where I would kneel, and where we would just be a regular couple.  The places where there might be a little of both—certain dates, maybe, certain evenings at work when she was alone in her office and needed to fuck.

Here—here though, it will be absolute between us.  She will be mistress, and I will be her pet—and although it will sometimes be informal, because we are also people with jobs and Netflix shows to watch and face masks to use (in my case anyway)—my first priority will be her.  My work will be to please her however she wants, whether that is offering up my mouth for her use, or offering up my body for punishment.

I remember the night I watched Rebecca and Auden spank Poe in the library. I remember how I felt Rebecca’s commands to Poe like fingertips on the nape of my neck, even though I wasn’t even the one being commanded.  Later, I’d found Poe and asked her about the spanking, about the pain, about kink and what it meant.  What about the parts that aren’t about the pain? I’d finally asked. The parts that are about doing what someone says?

It’s like being loved, Poe had answered.  Like loving.

And so she was right.  Because with Rebecca’s hands twisted in my hair, and my lips pressed against that wonderful part of her, I know that all my doubts earlier were not doubts at all, but tiny, rippling awakenings.  Like coming awake next to the ocean, and realizing that I’d been dreaming the roar of the waves for hours without even knowing it.  

I was falling in love long before now.

The realization is so exciting, and to have it like this, with my tongue flickering over lace and warm skin and with assertive hands fisted in my hair, is heaven.

Before I can think better of it, I murmur the truth.  ā€œI love you.ā€

It’s like I speak the words into her very skin, like they coil up through her belly and chest as hungry, grasping vines, because suddenly her body is tensed and flexing and trembling.  She’s not breathing, and for a moment—oh, for a stupid, ditzy moment—I think it’s because she’s happy.  I think it’s because she’s about to say it back.

And then the silence bores on, chewing a hole through me, and I simply know.  I have a problem with being blurty and blunt, and I should have thought, I should have shut up, because now I’ve poisoned this.  

I thought I was being so careful hiding how needy and uncertain I am, but now I’ve just gone and proved it by saying something unsophisticated and unwelcome.

Rebecca relaxes the tiniest bit against me, and even though this time I’m not brave enough to look up at her, I know she’s relaxed because she’s figured out what to say.  I’ve given her a complicated maths problem and now she’s solved for x.  She’s solved for Delphine Can’t Be An Adult About Kinky Sex.  It’s in her voice when she answers, gently and knowledgeably: ā€œThat’s common to feel in a scene, Delph, it’s very natural.ā€

She sounds like someone assuring a teenager about getting an erection in P.E.—I know this is embarrassing for both of us, but don’t worry, it’s normal, you’ll get control over it one day.

I close my eyes, my mouth unmoving against her, although I can still taste her on my tongue, I can still smell her.  She is sweet and the littlest bit tart and something else that’s all her.  Perfect.  She is perfect and I love her and she doesn’t love me.

ā€œI’m going to take you to the club as soon as I can,ā€ she’s saying, and now she’s stroking my hair, like I’m a pet in truth, ā€œand you’ll meet lots of other submissives there.  You’ll get to see so many other people playing, so many scenes, and then you’ll see.  You’ll see that it’s a perfectly natural reaction to have.ā€

What can I say to that?  What can I do other than nod against her?  Yes, you’re right, Mistress, it is just the scene, it’s just hormones.  

It isn’t the way you frown so adorably at elevations and ecological impact studies.  It isn’t the way you suck your teeth at certain soil reports, like you’ve just found out soil has been subtweeting you for weeks.  

It isn’t the way you know obscure plants that medieval monks grew and it’s not the way you never come back inside the house without a wildflower for me—a different kind each time, as if you’re worried I’ll get bored if you keep bringing me the same species.  

It isn’t the way you smile when you come, it isn’t the way you hold me when you think I’m asleep.  It isn’t how the light itself changes around you, like you are a living filter and your mere presence makes everything bright, saturated, alive.

No, I can’t say these things.  I don’t think she’d want me to.

ā€œDelph,ā€ Rebecca whispers, and her voice is strange, and if she hadn’t just told me in so many words that my feelings weren’t reciprocated, I’d think maybe she felt conflicted?  But I know inside her firm exterior lies a perceptive and kind person, so she’s probably worried about me.  Worried that I’m upset.

I don’t want to worry her, I know that much.  I don’t want to be anything other than someone who makes her happy.  I want to be easy for her, so easy that she’ll never tell me to go away.

I open my eyes when she cups my chin and lifts my face to hers.

ā€œDelph,ā€ she says, and then swallows.  ā€œAre you—are you okay?  We can stop if you need time to process.  I should have waded into this.  We should have started slow and built our way up, and that’s my fault that we didn’t.  I’m sorry, pet, I’m so sorry.ā€  She does look sorry, and each and every word is like a slap, a burn, a cut.  Each word of her apologizing for my hasty declaration.  Each word undoing my own feelings and reshaping them into a byproduct of bad dominance.  Even though they’re not a byproduct.  And she’s not a bad Dominant.  

ā€œI don’t need to stop,ā€ I tell her.  ā€œYou didn’t do anything wrong, please.  Rebecca.  Mistress.  It’s fine.  Just the scene, like you said.ā€

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